Fridays for future. The school strike continues! #climatestrike #klimatstrejk #FridaysForFuture pic.twitter.com/5jej011Qtp

— Greta Thunberg (@GretaThunberg) September 16, 2018

 

Then The Whole World Decides To Join Her!

Greta Thunberg is a Swedish climate activist. In August 2018 she became a prominent figure in a student strike outside the Swedish parliament building, raising awareness of global warming. In November 2018 she spoke at TEDxStockholm, and in December 2018 she addressed the COP24 UN climate conference. Wikipedia

Declaration of the Rights of the Southern Resident Orcas

We, the peoples and natural communities of the Salish Sea, do DECLARE the following: Eight million people and the survival of countless species depend on a healthy Salish Sea. Yet human-induced impacts such as climate change, ocean acidification, increased shipping traffic, dams and other fish passage barriers, as well as wastewater and sewage runoff have contributed to the pollution and degradation of the Salish Sea. The Southern Resident orcas are critically endangered with only 74 remaining at the time of this declaration.

Please sign this petition: http://legalrightsforthesalishsea.org/petition/

by Dennis Fritzinger

It’s hard to pin down what makes a good Earth First! poem. Humor’s a plus, but there’s a lot of funny poems that aren’t Earth First! in the least.

Maybe an Earth First! poem has what Chris Manes called “Green Rage” in his book by the same name. Not just “green” and not just “biocentric” (though that’s important and necessary) but with a rage component thrown in. If the poet is royally pissed that helps a lot.

Anger is a useful emotion of course since it propels you to do something. It’s on the red side of the spectrum. On the other side, the blue side, I would put spirituality. A feeling of oneness with Nature, with the Universe. Maybe that’s too woo for you, but it exists and is an equally valid watermark for an Earth First! poem.

Rick Scarce, in his book “Eco-warriors”, basically said Earth First! poetry is something Earth First!ers do in their off time, that is, when they aren’t making mischief for oil companies, coal barons, uranium mines, and timber extractors.

I can see that. The passion of the struggle flows over into the poetry. It becomes words on the printed page.

One might be reasonably confused into thinking Nature poetry and Earth First! poetry are the same thing. They are not. Nature poetry is a different animal–descriptive, but not proscriptive. Dispassionate, not passionate. Nature poetry can invite you to be an ecotourist. Earth First! poetry will invite you to wrenching ‘dozers.

By Dennis Fritzinger

This year’s Watershed Environmental Poetry Festival kicked off with a guided walk along Strawberry Creek, the Creek that runs through Cal campus and was the original reason for Cal being sited on this spot.

I got to the meeting spot just past ten, a few minutes late but in time to hear most of what our first stop had to offer. Then hiking around, crossing the creek at one point (no easy task in my sandals), hiking down to look at a pool with urban fish in it, discussing the effort to clean out invasive ivy and Himalayan Blackberry, and chatting with my fellow hikers as we walked along. This went on until it was almost noon, which is when the Watershed Main Event was supposed to start, the Main Event being the rest of the day with featured poets, kid poets, music by the Watershed Band, and so forth. Since it costs to put on this event each year, fundraising buckets were passed around so the audience could contribute.

All this went on for hours as the sun slowly marched across the sky and we heard poet after poet, many of whom were new to me, and I ran up to give them a Warrior Poet card when they got off stage. That way I got to introduce myself to the poets and share the Armed With Visions site with them.

Besides Robert Haas, on the program were Malcolm Margolin, whose classic The Ohlone Way is still in print, Maxine Hong Kingston, author of Woman Warrior, who treated us to a first-time reading of her haiku, Camille Dungy, Kim Shuck, Tongo Eisen-Martin, Alison Luterman, Tess Taylor, Tiffany Higgins and Rafael Jesus Gonzales.. The day had breadth and variety as well as depth, and seemed, when five o’clock rolled around, to end too soon. Sunny but not too hot, the weather was near perfect and we even got a little bit of a cooling breeze.

The kid poets I mentioned were introduced by John Oliver Simon, director of California Poets in the Schools. There were banners, poetry displays, a sound system, and a large canopy with chairs set up to help you avoid the sun. Some didn’t bother with the canopy and just stretched out in the grass.

It’s always a pleasure to hear poetry with a purpose, not just the expressions of ego of its author. The insights of the poets, came from all directions, so I never felt like I was hearing the same thing being repeated over and over. The kid poets were delightful with their enthusiasm and sense of playfulness. California Poets in the Schools is a great program and deserves our support.

I’ll end with a comment by Kenn Fong, who joined me for this once-a-year event:

“I work in convention hospitality, and recently I attended an Artificial Intelligence conference.

One of the keynoters said that when we communicate, we get 55% of the information non-verbally. We get another 35% aurally. The remaining 9% (allowing for fractions above), is from the actual words itself.

This is why events such as Watershed are so important to us. It’s also why, in this modern age of video communication, tech leaders and workers fly thousands of miles to conferences where I work. The experience of seeing someone one on one with whom you have only shared emails or phone or video calls is a powerful one. I’m not a “woo-woo” type of guy, but just being in the same space with someone has some sort of intangible but real value.

So much of my time is spent with individuals who display no use for (and probably have no experience with) contemplative matters. That it’s important for me to nurture that side of me at least once a year.”

This year’s Watershed had great weather — warm sun, cool wind. The featured poets were awesome, especially Jane Hirshfield, who really rocked.

That said, my favorite part was the Creek Walk along Strawberry Creek starting at 10 AM. We got a great presentation by Tim Pine, campus biologist and eco ninja. I learned a lot. We also heard great poems by the Creek Walk poets. Their billing wasn’t as high on the announcement, but the poems they read were totally in tune with the spirit of the day: Stand Up For The Earth.

During the program later several poets gave a shout-out to the Standing Rock People opposing the Pipeline and that was great. Whoever you are, wherever you are, stand up for the Earth!
 
 

“…as we reached the top of the ridge, a break in the trees opened up and we saw miles of unbroken green mountains rolling away before us to the horizon. It was a breathtaking sight. As I watched, our four guides lined up along the ridge and, facing the mountains, they sang. They sang a song to the forest whose words I didn’t understand, but whose meaning was clear enough. It was a song of thanks; of belonging.

To the Lani, I learned later, the forest lived. This was no metaphor. The place itself, in which their people had lived for millennia, was not an inanimate “environment”, a mere backdrop for human activity. It was part of that activity. It was a great being, and to live as part of it was to be in a constant exchange with it. And so they sang to it; sometimes, it sang back.

When European minds experience this kind of thing, they are never quite sure what to do with it. It’s been so long since we had a sense that we dwelled in a living landscape that we don’t have the words to frame what we see. Too often, we go in one of two directions, either sentimentalising the experience or dismissing it as superstition.”

Read the entire article here: https://www.theguardian.com/books/2016/jul/23/paul-kingsnorth-imagine-how-land-feels

The fifty to a hundred words making up a poem on Armed With Visions is a minuscule amount compared to the number of words you encounter in a day, yet that single poem can and hopefully will have much more impact than all the rest of the words you hear that day.

Turning a gene off or on makes a big difference to a genome — it determines which proteins get made and which aren’t, and this in turn determines all the physical features of the creature involved.

A tiny change can lead to vast consequences, and a series of tiny changes can do even more — turn a dinosaur into a bird, for instance. Move a rock at a spring’s source and it can change the direction of the stream it feeds, and in turn the creek and river. Just moving a rock.

As warrior poets, that’s what we do — move rocks. We seek to change the flow from one direction to another. If we can do that, even a little bit, we’ll have done our job.

–Dennis Fritzinger

My name is Joey Racano and I am a Warrior Poet. As the Founding Ambassador to the Warrior Poets Society, I have been posting on the warriorpoets@yahoogroups listserve for a dozen years now, and it continues to be a grand experience.

I use poetry to raise people’s hackles on issues they should know about as well as to educate. My activism is not all online though – far from it!

This Summer I’ll yet again be organizing the 4th annual Thank You Whales event Aug 15th at Avila Beach on California’s Central Coast. I’m also recording a CD with my band, have recently published a book called Dance to the Apocalypse and am writing, writing, writing!

For more info on my art and other efforts, visit these websites:

oceanoutfallgroup.com
earthsourcemedia.org
www.joeysingstheblues.com

Also learn more about my work at these Facebook pages: Spiritpen, Crow Kung Fu, Lake of Fire, Chronopolis, Stop Navy Sonar Testing,Free Tilly, Stop the Diablo Canyon Seismic Testing. 

I’m Proud to be part of this great movement! -Joey Racano

Armed with Visions keeps growing…
 
Today we’d like to introduce you to a remarkable Warrior Poet. He’s a favorite on our website.

Thus far we’ve shared Sid Bridges poems: Techno-Civilization, Born of Myth, Diminishment of Stars and Me and today we posted his poem Our Hubris and Extinctions.

We are grateful for his poetic relentlessness. Since last August on his own initiative he’s posted over 60 quality poems to our Facebook page.

With a prolific effort like that it’s time to thank him and designate him our one and only official Facebook Page Poet.

When we asked Sid for his bio for our about page he wrote us this:

“Born on a farm in North Central Oklahoma. I witnessed small farms disappear due to government policy. Dirt farms became chemical farms.

I saw how the worth of people was dependent on “wealth.” I didn’t like the direction society was headed. There was something amiss with society, or me. Maybe both?

So I became interested in Freudian psychology for answers. A wrong turn, among many. My interest led me to obtain a masters degree in social work and a career in mental health. After retirement I have devoted my time to environmental issues and poetry.”

Thanks for all the great work Robert Bridges, aka: Sid… We look forward to many more poems from you long into the future.

Deep Ecology, when it appeared in my life, made immediate sense. To me it is more than a label, it’s the way our world is structured. I take it as a secular equivalent to the Buddha’s teaching of dependent co-arising–and use it that way in my work.

The term was coined by Norwegian philosopher Arne Naess to contrast with environmentalism for purely human interests. Deep ecology is both a school of thought (Naess’s ecosophy and Henryk Skolimowski’s ecophilosophy) and a movement (the deep, long range ecology movement, described early on by Bill Devall and George Sessions).

It has also inspired an array of experiential practices: deep ecology work, developed by John Seed, myself, and others. This form of group work helps to decondition us from centuries from culturally induced anthropocentrism, and to heal our broken relationship with the natural world. It’s an intrinsic part of the Work That Reconnects.

My Teachers: As for all of us in deep ecology work, the natural world is our primary teacher. Among key mentors in childhood I count Spotty, a wise horse, and a particular maple tree. From http://www.joannamacy.net